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"Incipit Legenda
Didonis Martiris, Cartaginis Regine.
Glory and honour,
Virgil Mantuan,
Be to thy name! and I shal, as I can,
Folow thy lantern, as thou gost biforn,
How Eneas to Dido was forsworn".
Geoffrey
Chaucer
THE
LEGEND OF DIDO, QUEEN OF CARTHAGE (LGW, III - 1/4)
This noble queen that was named Dido,
That used to be the wife of Sychaeus,
That was fairer than the bright sun,
This noble town of Carthage had begun.
In which she reigned in such great honor
That she was held of all queens the flower
Of gentleness, of freedom, of beauty,
So that well was he who might see her once;
She was so desired by kings and lords
That her beauty had set all the world afire,
She stood so well in everyone's grace.
(modernized by James M. Hunter)
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Aeneidos
curata da
Salvatore Conte
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"Virgilmurder",
by
Jean-Yves
Maleuvre
PUBLIUS VERGILIUS MARO
(born in 70 B.C.; murdered in 19
B.C.)
He did it. He treacherously killed Virgil, the best poet
in the world.
2000 years
later, the emperor Caesar Augustus must be put in accusation.
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Academic D-links:
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Aeneas as hospes in Vergil, Aeneid 1 and 4, by Roy K. Gibson |
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The Aeneas-Dido Episode as an Attack on Aeneas' Mission and Rome, by
Steven Farron
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Anna's Conduct in Aeneid 4, by Anthony A.
Barrett  |
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The Archaeology of the Temple to Juno in Carthage (Aen. 1. 446-93), by
Diskin Clay |
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Caeneus and Dido, by Grace Starry West |
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Chaucer's "Aeneid": "The Naked Text in English", by Marilynn Desmond |
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Dante, Beatrice, and the Two Departures from Dido, by Kevin Brownlee |
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De l'Énéide aux images : Énée et Didon,
by Académie de
Nancy-Metz |
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Dido, Aeneas, and the Concept of Pietas, by Kenneth McLeish |
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Dido and Aeneas as tragic heroine vs. pious hero, by Daniel P. Solomon,
Vanderbilt University
(see p. 9: "a fan of Dido: Ovid") |
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Dido and the Sword of Aeneas, by H. Akbar Khan |
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Dido, Berenice, and Arsinoe: Aeneid 6.460, by Patricia A. Johnston |
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Didon et Énée, by
Paul-Augustin Deproost, Jean
Schumacher, Boris Maroutaeff,
Université Catholique de Louvain |
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Dido's
Murder,
by Fernando de Vasquez |
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Dido's Puns, by Charles E. Murgia
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Elissa, by William C. McDermott  |
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¡Estreno!¡Estreno!¡Estreno! - ¡Ahora la Pasión de Dido y Eneas en la Ópera!,
by Cristina Martín de Doria, Universidad de Sevilla |
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Infelix Dido !,
by Franz De Ruyt |
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The Kiss of Ascanius in Vergil's Aeneid, the Roman d'Eneas and Heinrich von
Veldeke's Eneide, by Rosemarie Deist |
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The Legend
of Dido,
by Míceál F. Vaughan, University of Washington |
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A
lock and a promise: Myth and Allusion in Aeneas' Farewell to Dido in Aeneid 6,
by R.A. Smith |
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Mantegna's "Dido": Faithful Widow or Abandoned Lover?, by Margaret
Franklin |
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Montaigne, Dido, and The Tempest: "How Came that Widow in?", by
Gail Kern Paster |
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Ovid Fasti 3. 557-58, by Charles E. Murgia
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Parallelism of Theme and Imagery in Aeneid II and IV, by Bernard Fenik |
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Prospero's Counter-Pastoral, by Kevin Pask |
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A Pun in Virgil's Aeneid (4.492-93)?, by David Konstan |
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Reading
Dido, by Marilynn Desmond, State University of New York |
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Recepimenti, by
Salvatore Conte
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The Sibyl's Rage and the Marpessan Rock, by Susan Skulsky
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Il Tesoro di Didone, by
Salvatore Conte
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Toro faciem impressa: Apuleio e l'imitazione esplicativa di Virgilio,
by Salvatore Conte
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Two Alterations of Virgil in Chaucer's Dido, by E. Bagby Atwood
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Vergil's Dido and Euripides' Helen, by Howard Jacobson |
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Virgil's Dido and Seneca's Tragic Heroines, by Elaine Fantham |
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Apollonio di Giovanni e bottega
Sicheo ucciso
da Pigmalione appare a Didone esortandola a partire
(Sec. XV - Firenze, Biblioteca Riccardiana)
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Independent D-links:
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Materiali filologici:
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L'Ade,
by Saint-Seiya.it |
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Dante and the
medieval invention of the self, by Gary Gutchess
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La gerarchia
dell'Alloro, by Carneade
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L'impossibile perdono del nemico nella letteratura classica. La pietà, la
riconciliazione e l'ira in Achille, Odisseo ed Enea, by
Maria
Raffaella Cornacchia |
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L'incubo,
by Valeria Paliero |
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La leggenda
troiana in Etruria, by Alberto Palmucci |
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Messalina, by
Francesco Pona |
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Il mito di
Didone nel Tempo, by SSIS Lazio |
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Moriamur, by
QueenDido.org
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Una nota a
proposito del significato della Primavera di Botticelli, by
Franco Baldini |
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Perché Elissa,
by Salvatore Conte |
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The
Persona in Apuleius' Florida, by Vincent Hunink  |
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Storia della
Sardegna e della Corsica, by Ettore Pais |
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Il Traduttore
fedele, by Rocco De Vitis |
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A Various Villainy: Silius Italicus' Hannibal and Virgil's Aeneid, by
Ben Tipping
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Virgilio
nel Medioevo, by Domenico Comparetti |
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Bibliografie Virgiliane:
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Tanit links:
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Elissa di Tiro,
nobiltà fenicia
Tiro ~840 - Cartagine ~750 a.C.
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Enciclopedia Fenicia
di Salim George Khalaf
(NC, USA)
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 There
was a grove in the centre of the city, delightful
with shade, where the wave and storm-tossed Phoenicians
first uncovered the head of
a fierce horse, that regal Juno
showed them: so the race would be noted in war,
and rich in substance throughout the ages.
Here Sidonian
Dido was establishing a great temple
to Juno, rich with gifts and divine presence,
with bronze entrances rising from stairways, and beams
jointed with bronze, and hinges creaking on bronze doors.
V.
(I, 441-449, Kline)
Carthage links:
Dido
as Virgil's Ariadne:
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